Writing a blog about the future of Irish Whiskey with a headline photo of a trio of Scottish Single Malts released by the supermarket chain Lidl may seem a little askew – but it highlights an issue pertinent to the current Irish Whiskey industry.
Imagine I’m a supermarket chain of similar standing.
I want some Irish Whiskey.
Perhaps a single pot still, a single malt & a single grain to show off what Ireland has to offer.
I have the branding ready to go.
I have the bottling plant primed.
I have the customers.
Can Irish Whiskey deliver – like yesterday – to capitalise on the Scottish release?
” Slane Castle has survived on Rock ‘n’ Roll and the inspiration for Slane Irish Whiskey came from the first rock concert we staged back in 1981 with Thin Lizzy.
Phil Lynott’s lyric – Whiskey In The Jar – struck me back then and a dream was born.
Throughout the thick and thin of the intervening years Phil’s song stayed with me, nourishing that dream.
Tonight I’m proud to say that dream has become a reality.
Slane Irish Whiskey is definitely in the jar!
Enjoy the music!
Enjoy the craic!
Enjoy Slane Irish Whiskey!”
And with that – Henry & Alex Conyngham released Slane Irish Whiskey – as well as announcing their distillery – to the accompaniment of local rock band Otherkin -who happen to be supporting Guns N Roses next week at the very same Slane Castle.
I must say – as whiskey launches go – this was pretty damn cool!
Otherkin pumping out their own tunes, along with selected classics from bands that have played Slane over the years.
Slane Irish Whiskey flowing either neat – in my case – or with fashionable cocktail suggestions.
And delightfully tasty tit-bits of food served up by the trusty Eastside Tavern crew where the launch was held.
An eclectic gathering of people came to witness this event including Phil Lynott’s mum Philomena fresh from unveiling a refurbished statue to her famous son & all enjoying the the bright sunny Dublin evening that was in it.
But what about the whiskey?
Well it’s obviously not from Slane Distillery itself – which is due to open it’s doors to the public in August.
Slane Irish Whiskey is a sourced blend of quality malt & grain spirits blended and matured together in 3 different types of casks under the watchful eye of Brown-Forman master distillers Chris Morris and Steve Hughes.
Like Otherkin – this is a young, fresh & gutsy whiskey that grabs your attention.
The soft smooth nose captures elements of both the virgin oak and oloroso casks used in a sweet sherry bouquet. There is a bit of depth to the taste with some wood notes & a welcome soft spice from the seasoned American casks too. This all develops into a friendly warmth that gently fades away.
This raises Slane Irish Whiskey up a notch or 2 in my book as the spirit exudes a bit more punch & flavour than standard blends. It would perform very well alongside Jameson’s Crested, Bushmills Black Bush as well as Diageo’s Roe & Co if you’re familiar with these brands.
The bottle is also attractively designed in muscular black with contrasting white & red labeling together with the raised Slane motif on the sides.
If this is a sign of things to come from Slane Distillery I can’t wait for their own offerings of single malts & single pot stills from their 3 copper stills in the years to follow.
Slane Irish Whiskey and Slane Castle Distillery – to borrow a line from Queen who also played Slane.
And like the Steve Aoki song – I felt The Power Of Now.
At 57.3% it fills the mouth with an explosion of smoke sparked off by some surprisingly sweet notes & tasty flavours.
At first I suspected added caramel but no! Bruichladdich are emphatically against such practices. All the flavour results from the maturation in wooden barrels – in this instance ex-bourbon & French wine casks – hence the sweet notes to start with contrasting beautifully with the powerful – 167ppm – peat hit later into the fabulous tasting experience.
Yes there was still peat – but the dominant note of vanilla sweetness let me down.
Big, bad & bold is what I was looking for – but all I got was soft, smooth & sweet.
A bit too much added caramel I think.
A bit like Girls Aloud’s Nadine Coyle who hails from Derry
Interestingly both Talisker & Laphroaig add caramel too – which would explain the sweet notes I detected. I just don’t understand why they have to do this with single malts. The sweet notes turned me off all 3 expressions.
But when it comes to your age statements versus NAS – Jura came bottom of the list.
The Talisker Skye came out tops – even although I’d prefer the 10 Year Old.
I generally don’t look down on an NAS bottling – but I’m increasingly looking down on added caramel – the proof of the pudding is in the eating however. All 3 of these whiskies tasted overly sweet to me – the Jura decidedly so – which was more of a deciding factor rather than the NAS or age statement issue.
Meanwhile the more variety of styles, tastes, finishes and ages – or not – out there the better in my book.
By trying them all out you begin to appreciate the differences & start to hone down your own particular style.
If you find a whiskey you like – embrace it – regardless of what others say.
We are all individuals with our own taste preferences and idiosyncracies – much like the whiskeys we drink.
1) This is the first spirit to be released from a new Dublin whiskey distillery for over a century.
That in itself makes this recently released poitin worthy of a punt – which is exactly what I did. But on tasting the spirit – I got a lovely surprise.
2) Spirit Of Dublin is a single pot still Poitin.
Once I worked my way through that initial oily, slightly rotten fruit smell of new make whiskey – I experienced a very welcome single pot still signature spice warming up my palate and making me smile.
Made with a mix of malted barley and unmalted barley – this is a uniquely Irish style originating from an early tax avoidance scheme where unmalted barely attracted no duty.
The unexpected result is a fabulous soft spice together with a slightly richer mouthfeel on tasting – which Spirit Of Dublin clearly possesses.
If it taste this good straight from the stills – what will it be like straight from the barrel after it’s matured for long enough to be called a whiskey?
Perhaps I’ll have to book another flight a few years hence to find out!
Recent financial shenanigans in Tasmania only highlight the large stakes at play in trying to develop a whisky distillery.
Nant Whisky Distilling – which had a somewhat troubled financial history – are currently in receivership whilst the sorry mess is sorted out.
It remains to be seen how this new development will play out for the very attractive looking distillery in Bothwell – which I didn’t manage to visit – and a trio of whisky bars – including the one in Hobart which I did call into.
Situated in the wonderfully attractive quayside area of Salamanca Market in downtown Hobart, The Nant Whisky Bar offers punters a large comfortable space to enjoy an evenings libations.
I happened to be the only customer for an early morning – 11ish – visit on a beautifully sunny yet cold winter’s day – complete with a dusting of snow on the slopes of Mt Wellington which rises up behind the city.
There was a good range of whiskies behind the bar – Scotch, Japanese, Irish & some American too – but I did notice Nant were the only Australian representatives on show. Now OK. This is a ‘tied’ bar – but as Tasmanian whisky is promoting a friendly camaraderie & all the other bars in town had at least 2 or 3 Tasmanian distilleries products on show – it did make me ponder.
There was a choice of 2 Nant whisky flights to enjoy. The cask strength at 63% – or the standard 43% offering.
Now there are some expressions that are perfectly drinkable at 60% and above – but they are few and far between. I also find adding water a rather imprecise exercise which would probably bring down the liquid close to the 43% level anyway – and as it was still the morning – the standard flight it was.
I think I chose well. Even at 43% there was a strong alcoholic kick on the nose of all 3 single malt expressions.
Starting with the American Bourbon Cask, there were the signature vanilla & caramel notes coming through. Very nice – but very familiar. I’d find it hard on a blind tasting to distinguish this Australian malt from the best Scotland or Ireland has to offer.
The American Sherry Cask brought added depth & fruity notes. Whilst the darkest coloured French Port Cask bottle gave the heaviest mouthfeel with deeper & richer notes. The Port Cask – as you may have already guessed – came out tops for me.
Oddly, the Bourbon Cask was the priciest to buy – at tear inducing prices – which when I questioned the bartender, she shot me a look which suggested I shouldn’t follow Kasabian’s advice & Shoot The Runner!
With the future of Nant Distilling now very uncertain – the labels, design & content of any further releases may change. There are barrels still maturing – but who knows what will happen to them.
Perhaps what I sampled back in 2016 are destined to become collectors items never to be repeated again?
I’m just happy to have had the opportunity to taste what I did at the time.
It ebbs and flows on the fortunes & failures of the time.
I managed to get my hands on one of those new breed of ryes from Belgium via the marvelously named Drankenwereld online bottle shop. Despite the alleged openness of the European Union – it still took a few emails to arrange a safe & prompt delivery.
Sunken Still Rye Whisky is a 4 year old rye matured in bourbon barrels from the Filliers Distillery in Belgium who also do the Goldlys whisky range.
I found the nose to have a curious honey sweetness with a spice that reminded me of cinnamon – almost into liqueur territory here.
Mrs Whiskey adored the nose & likened it to perfume.
Luckily the taste was clearer with the dry rye spice punching through the soft sweetness to give a long lasting finish.
A pleasant & fragrant Belgian slant on the rye flavour profile.